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ĭo you think it’s important to find these visuals that communicate loss? Should we show more destruction on television? David Attenborough In watching the series, I was most affected watching the scene of walruses watching the forests on the island of Borneo shrink before our eyes. Understanding the complexity of the natural world is one of the crucial things. Because unless you understand the natural world, you don’t understand how the interconnections are so complex that you can damage it without knowing what you’re doing. The temptation is just to show them that. All these are interesting stories, and people are potentially really interested in them, no question about that. In natural history programs, if you just show what animals do, the conflict animals have, the problems that animals have, the way they interact, how birds fly, how they court, what insects are doing to the trees. But the numbers alone aren’t always good at illustrating the problem. Brian ResnickĪs a documentarian, is there a challenge in telling stories about wildlife loss? We see the numbers - many species across the globe are declining in startling numbers. But we’ve got to show that then you show what the dangers are. And nobody minds seeing wildebeests or other great sights. I would think you have to see what the complexity of the ecosystem is. Do we need to see more of that, or do we need to see more of the painful things, like corals being bleached to death? David Attenborough
#The life of birds is a bbc nature documentary s netflix series
Some may look at this series and critique the fact that there are a lot of scenes we’ve seen before in similar programs - migrations of wildebeests, caribou. Sophie Lanfear/Silverback/Netflix Brian Resnick A female walrus reassures her young pup as they try to find a place to rest on an overcrowded beach. Our conversation has been edited for length and clarity. I also wanted to know about the most beautiful thing he’s seen recently, and whether he’s fearful for the future of life on the planet. I wanted to ask Attenborough about this tension between the familiar, comfortable scenes and the more sobering ones. The series then peppers in some scenes of loss - like a heartbreaking scene showing walruses plummeting to their deaths - and narration about the perils facing the natural world.
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The ocean still hosts feeding frenzies for a huge diversity of life. Wildebeests still converge in herds as far as the eye can see. Our Planet still focuses on achingly beautiful scenes of life that look undisturbed by human impact. When I reviewed the program, I noted my frustration with how much it felt like the series that have come before it. We are in terrible, terrible trouble and the longer we wait to do something about it the worse it is going to get.” “This is the new extinction and we are half way through it. “I find it hard to exaggerate the peril,” Attenborough said at the IMF earlier in April, according to the Guardian. Attenborough has also recently lent his voice to a BBC documentary called Climate Change: The Facts, which explains the science and grim statistics fueling the climate change threat. And they’ve sent Attenborough on a press tour that includes advocating on behalf of disappearing wildlife and ecosystems at institutions like the World Bank and the International Monetary Fund. The producers hope to reach a billion people with the series and its accompanying website, with the goal of educating people about the natural world. His latest venture is narrating the Netflix documentary Our Planet, which injects wildlife conservation advocacy into every episode much more deliberately than previous series. Now, Attenborough is coming into a slightly different role: advocate for fleeting biodiversity and ecosystems. But these also, at times, skirted around the ecological crises threatening life on the planet - which are caused by humans. These series focused on the wonderful grandness and diversity of life on earth, conjuring up images of a world that is seemingly untouched by humans. Programs like Life on Earth, Blue Planet, and Planet Earth have brought the wild world into the homes of urban dwellers for decades. The 92-year-old producer, narrator, and documentarian essentially invented the genre of television nature documentaries in his decades-long career at the BBC. David Attenborough is the most famous nature storyteller on television.